第1篇 西安鐘樓的導(dǎo)游詞
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西安鐘樓,是國(guó)內(nèi)最大、最完整的一座鐘樓,始建于明洪武十七年(公元1384年),鐘樓處于西安的中心地帶,是古城的地標(biāo)之一,以它為中心輻射出東、南、西、北四條大街并分別與西安城墻東、南、西、北四門相接。
西安的鼓樓,原先在西邊的廣濟(jì)街上,隨著城市中心東移,在明神宗萬(wàn)歷十年(1582年),將鐘樓遷徙到了鼓樓東邊,今天的位置。
鐘樓呈典型明代建筑藝術(shù)風(fēng)格,下部為磚石結(jié)構(gòu)的正方形基座,頂部為三重四面攢尖頂結(jié)構(gòu),覆著深綠色琉璃瓦,頂尖用真金鉑包裹?;拿嬲懈饔懈呒s6米的門洞,門洞間互通,過(guò)去是東、南、西、北四條大街交會(huì)的通道,人流車輛從門洞通過(guò),如今門洞已封閉,周圍建有公路轉(zhuǎn)盤(pán),地下有專供人行的通道。
進(jìn)入鐘樓的入口就在這地下通道內(nèi),有樓梯可盤(pán)旋登樓。鐘樓內(nèi)有一口仿制“景云鐘”,原件鑄于唐睿宗景云二年(公元720xx年),現(xiàn)在收藏在西安碑林博物館里。
站在鐘樓上,能夠看到從鐘樓延伸出來(lái)的東、南、西、北四條大街,鐘樓周邊西安最繁華的商區(qū)、及不遠(yuǎn)處的鼓樓。
游客在游玩鐘樓時(shí),還能欣賞到美妙的訪古表演,每天日間6場(chǎng),具體演出時(shí)間可詳見(jiàn)官網(wǎng)。在鐘樓和鼓樓之間為鐘鼓樓廣場(chǎng),有音樂(lè)噴泉。
第2篇 西安鐘樓的導(dǎo)游詞
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鐘樓地處西安繁華的東、西、南、北四條大街交匯處,它古時(shí)用來(lái)在清晨敲鐘報(bào)時(shí),故稱鐘樓 。從建成之日起,鐘樓就一直被看作是古城西安的象征,現(xiàn)為陜西省重點(diǎn)文物保護(hù)單位。它是我國(guó)古代遺留下來(lái)許多鐘樓中形制最大、保存最完整的一座。西安是明代西北軍政重鎮(zhèn),它的鐘樓無(wú)論從建筑規(guī)模歷史價(jià)值或藝術(shù)價(jià)值各方面衡量,都居全國(guó)同類建筑之冠。
鐘樓始建于1384年。鐘樓的基座是正方形,占地1377.4平方米,高8.6米,寬35.5米,全部用青磚砌成。樓為磚木結(jié)構(gòu),高36米。外部重檐3層,但內(nèi)部?jī)H上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國(guó)古代木結(jié)構(gòu)建筑的特點(diǎn)之一。在世界建筑史上也是獨(dú)一無(wú)二的。它不但能使建筑物更加牢固,而且更加美觀。斗拱在 商代就已出現(xiàn),在我國(guó)青銅器的花紋上,可以看到較完整的斗拱圖象。
特點(diǎn):鐘樓始建于明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時(shí),地址在今廣濟(jì)街口,與鼓樓對(duì)峙。明神宗萬(wàn)歷十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷移于今址。鐘樓呈典型明代建筑藝術(shù)風(fēng)格,重檐斗拱,攢頂高聳,屋檐微翹,華麗莊嚴(yán)。
巨鐘軼聞 :鐘樓的西北角上陳列著一口明代鐵鐘,重5噸,鐘邊鑄有八卦圖案,建造于明成化年間(1465~1487年)。但它比鐘樓早先懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鐘是唐代景云年間鑄造的“景云鐘”(現(xiàn)藏于碑林博物館)。據(jù)說(shuō),遷到今址之后,雖然樓的式樣大小并沒(méi)有改變,景云鐘卻怎么也敲不響了。無(wú)可奈何,只有另?yè)Q。
西安鐘樓導(dǎo)游詞
第3篇 西安鐘樓的導(dǎo)游詞
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鐘樓地處西安富貴的東、西、南、北四條大街交匯處,它古時(shí)用來(lái)在朝晨敲鐘報(bào)時(shí),故稱鐘樓 。從建成之日起,鐘樓就一向被看作是古城西安的象征,現(xiàn)為陜西省重點(diǎn)文物掩護(hù)單元。它是我國(guó)古代遺留下來(lái)很多鐘樓中形制最大、生涯最完備的一座。西安是明代西北軍政重鎮(zhèn),它的鐘樓無(wú)論從構(gòu)筑局限汗青代價(jià)或藝術(shù)代價(jià)各方面權(quán)衡,都居世界同類構(gòu)筑之冠。
鐘樓始建于1384年。鐘樓的基座是正方形,占地1377.4平方米,高8.6米,寬35.5米,所有效青磚砌成。樓為磚木布局,高36米。外部重檐3層,但內(nèi)部?jī)H上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國(guó)古代木布局構(gòu)筑的特點(diǎn)之一?;钪鐦?gòu)筑史上也是唯一無(wú)二的。它不單能使構(gòu)筑物越發(fā)平穩(wěn),并且越發(fā)雅觀。斗拱在 商代就已呈現(xiàn),在我國(guó)青銅器的斑紋上,可以看到較完備的斗拱圖象。
特點(diǎn):鐘樓始建于明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時(shí),地點(diǎn)在今廣濟(jì)街口,與鼓樓堅(jiān)持。明神宗萬(wàn)歷十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷徙于今址。鐘樓呈典范明代構(gòu)筑藝術(shù)氣魄威風(fēng)凜凜,重檐斗拱,攢頂高聳,屋檐微翹,綺麗肅靜。
巨鐘軼聞 :鐘樓的西北角上陳列著一口明代鐵鐘,重5噸,鐘邊鑄有八卦圖案,制作于明成化年間(1465~1487年)。但它比鐘樓起初懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鐘是唐代景云年間鍛造的“景云鐘”(現(xiàn)藏于碑林博物館)。聽(tīng)說(shuō),遷到今址之后,固然樓的式樣巨細(xì)并沒(méi)有改變,景云鐘卻怎么也敲不響了。無(wú)可若何,只有另?yè)Q。
西安鐘樓導(dǎo)游詞
第4篇 西安鐘樓的導(dǎo)游詞
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西安鐘樓導(dǎo)游詞1
鐘樓地處西安富貴的東、西、南、北四條大街交匯處,它古時(shí)用來(lái)在朝晨敲鐘報(bào)時(shí),故稱鐘樓 。從建成之日起,鐘樓就一向被看作是古城西安的象征,現(xiàn)為陜西省重點(diǎn)文物掩護(hù)單元。它是我國(guó)古代遺留下來(lái)很多鐘樓中形制最大、生涯最完備的一座。西安是明代西北軍政重鎮(zhèn),它的鐘樓無(wú)論從構(gòu)筑局限汗青代價(jià)或藝術(shù)代價(jià)各方面權(quán)衡,都居世界同類構(gòu)筑之冠。
鐘樓始建于1384年。鐘樓的基座是正方形,占地1377.4平方米,高8.6米,寬35.5米,所有效青磚砌成。樓為磚木布局,高36米。外部重檐3層,但內(nèi)部?jī)H上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國(guó)古代木布局構(gòu)筑的特點(diǎn)之一?;钪鐦?gòu)筑史上也是唯一無(wú)二的。它不單能使構(gòu)筑物越發(fā)平穩(wěn),并且越發(fā)雅觀。斗拱在 商代就已呈現(xiàn),在我國(guó)青銅器的斑紋上,可以看到較完備的斗拱圖象。
特點(diǎn):鐘樓始建于明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時(shí),地點(diǎn)在今廣濟(jì)街口,與鼓樓堅(jiān)持。明神宗萬(wàn)歷十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷徙于今址。鐘樓呈典范明代構(gòu)筑藝術(shù)氣魄威風(fēng)凜凜,重檐斗拱,攢頂高聳,屋檐微翹,綺麗肅靜。
巨鐘軼聞 :鐘樓的西北角上陳列著一口明代鐵鐘,導(dǎo)游考試,重5噸,鐘邊鑄有八卦圖案,制作于明成化年間(1465~1487年)。但它比鐘樓起初懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鐘是唐代景云年間鍛造的“景云鐘”(現(xiàn)藏于碑林博物館)。聽(tīng)說(shuō),遷到今址之后,固然樓的式樣巨細(xì)并沒(méi)有改變,景云鐘卻怎么也敲不響了。無(wú)可若何,只有另?yè)Q。
西安鐘樓導(dǎo)游詞2
西安鐘樓,是海內(nèi)最大、最完備的一座鐘樓,始建于明洪武十七年(公元1384年),鐘樓處于西安的中心地帶,是古城的地標(biāo)之一,以它為中心輻射出東、南、西、北四條大街并別離與西安城墻東、南、西、北四門相接。
西安的鼓樓,原先在西邊的廣濟(jì)街上,跟著都市中心東移,在明神宗萬(wàn)歷十年(1582年),將鐘樓遷移到了鼓樓東邊,本日的位置。
鐘樓呈典范明代構(gòu)筑藝術(shù)氣魄威風(fēng)凜凜,下部為磚石布局的正方形基座,頂部為三重四周攢尖頂布局,覆著深綠色琉璃瓦,頂尖用真金鉑包裹?;闹苷懈饔懈呒s6米的門洞,門洞間互通,已往是東、南、西、北四條大街交會(huì)的通道,人流車輛從門洞通過(guò),現(xiàn)在門洞已關(guān)閉,周圍建有公路轉(zhuǎn)盤(pán),地下有專供人行的通道。
進(jìn)入鐘樓的進(jìn)口就在這地下通道內(nèi),有樓梯可回旋登樓。鐘樓內(nèi)有一口仿制“景云鐘”,原件鑄于唐睿宗景云二年(公元711年),此刻保藏在西安碑林博物館里。
站在鐘樓上,可以或許看到從鐘樓延長(zhǎng)出來(lái)的東、南、西、北四條大街,鐘樓周邊西安最富貴的商區(qū)、及不遠(yuǎn)處的鼓樓。
旅客在嬉戲鐘樓時(shí),還能瀏覽到美好的訪古演出,天天白天6場(chǎng),詳細(xì)表演時(shí)刻可詳見(jiàn)官網(wǎng)。在鐘樓和鼓樓之間為鐘鼓樓廣場(chǎng),有音樂(lè)噴泉。
西安鐘樓導(dǎo)游詞3
西安鐘樓,建于明太祖朱元璋洪武十七年(公元1384年),為磚木布局,重樓三層檐,四角攢頂?shù)那閯?shì),總高36米,每邊長(zhǎng)35.5米,占地面積1377平方米,內(nèi)有樓梯可回旋而上。在檐上包圍有深綠色琉璃瓦,樓內(nèi)貼金彩繪,畫(huà)棟雕梁,頂部有鎏金寶頂,金碧光輝。以它為中心輻射出東、南、西、北四條大街并別離與明城墻東、南、西、北四門相接。
瀏覽編鐘所奏的樂(lè)曲以及仿古跳舞。曲目有民樂(lè)《登樓曲》,長(zhǎng)安古樂(lè)《奉金杯》、《搖門栓》,名曲《春江花月夜》,古曲《飛天》、《大登殿》,編鐘獨(dú)奏《茉莉花》,以及《秦腔曲牌》。逐日六場(chǎng)表演,時(shí)刻別離為上午9:00、10:30、11:30、15:00、16:00、17:00 ,每場(chǎng)四首轉(zhuǎn)動(dòng)表演,演出時(shí)刻10-15分鐘。
鐘鼓樓演出除逐日固按時(shí)刻外,集體瀏覽可提前預(yù)約,加場(chǎng)表演時(shí)刻為晚19:00-22:00。
西安鐘樓導(dǎo)游詞4
鐘樓始建于明朝洪武十七年,原址在廣濟(jì)街口。萬(wàn)歷九年遷址到對(duì)象南北四條大街的交匯處,成為一做綰轂對(duì)象、呼應(yīng)南北的軸心構(gòu)筑。萬(wàn)積年間,關(guān)中地動(dòng)羽士高承之?dāng)嘌?,有萬(wàn)年鰲魚(yú)在地下?lián)v蛋,于是知府將鐘樓遷到現(xiàn)址震住妖孽作祟的穴口,以后西安全國(guó)平靜,萬(wàn)民樂(lè)業(yè)。鐘樓正面的楹聯(lián)就回響了這段傳說(shuō)。
明王朝定都南京后,其間尚有一次遷都之議。有大臣主張遷都西安,朱元璋曾有些心動(dòng),專門派太子朱標(biāo)赴西安實(shí)地勘測(cè),選擇宮室基址,并繪制陜西輿圖進(jìn)獻(xiàn)。太子朱標(biāo)從陜西回到南京后,呈獻(xiàn)了陜西輿圖給父皇朱元璋,并具體先容了西安的地理上風(fēng),以為:“舉全國(guó)莫關(guān)中若也,全國(guó)山水惟秦地號(hào)為險(xiǎn)固”,發(fā)起遷都西安 。但不久太子朱標(biāo)英年早逝,此時(shí)朱元璋已經(jīng)年老,這位暮年喪子的老民實(shí)力干癟,遷都之事不了了之,但西安鐘樓已憑證皇家構(gòu)筑級(jí)別建成。
鐘樓建成198年后,經(jīng)驗(yàn)了一場(chǎng)整體遷居。這次東遷是與西安都市成長(zhǎng)的東擴(kuò)有關(guān),鐘樓二樓西墻上,嵌有一方《鐘樓東遷歌》碑,記述了這座龐大構(gòu)筑整體遷徙的進(jìn)程。
鐘樓初建時(shí)的位置在西大街以北廣濟(jì)街口的迎樣觀,與南北城門正對(duì),是都市的中心。這一位置正在唐長(zhǎng)安城的中軸線上,也是五代、宋、元時(shí)長(zhǎng)安城的中心。然而,在厥后的二百年間,西安城不絕擴(kuò)建,在原本的基本上,向東、向北各擴(kuò)建了近四分之一的面積,跟著都市中心東移,城門改建,新的東、南、西、北四條大街形成,位于迎祥觀的鐘樓便日益顯得偏離都市中心。明神宗萬(wàn)歷十年(1582年),由巡撫御使龔懋賢主持,將鐘樓整體遷徙于本日的地點(diǎn),成為一座綰轂對(duì)象、呼應(yīng)南北的軸心構(gòu)筑。
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4.游覽西安的導(dǎo)游詞
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第5篇 西安鐘樓的導(dǎo)游詞
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鐘樓以及鼓樓是今代中國(guó)鄉(xiāng)市的特有修建。上面是小編帶去的西安鐘樓鼓樓導(dǎo)游詞,但愿可以或許幫到人人。
西安鐘樓鼓樓導(dǎo)游詞
尊敬的各位游客:
人人好!很興奮以及人人會(huì)晤,人人就叫我常導(dǎo)吧。接下去就以及我一塊女觀光西安鐘樓吧!
鐘樓位于西安市中央,東北西南四條大街的交匯處???,在我們眼前的二層修建等于鐘樓,它由基座、樓身以及樓頂三全數(shù)組成。鐘樓高36米,是今色今香的磚瓦結(jié)構(gòu),四角挑檐翹起,騰空欲飛,樓頂有各色玻璃瓦鮮艷奪目,美好極了。鐘樓四周鮮花環(huán)繞,增添了歡樂(lè)的節(jié)日氣氛。
基座是由偉大的鄉(xiāng)磚筑成,沿著基座南面的樓梯而上,我們便去到鐘樓樓身參觀臺(tái),首先映進(jìn)我們眼簾的是同心專心青色的亮代大鐘,重五噸,內(nèi)亂里能本諒五六小我,鐘面上雕刻著俊麗的八卦圖案,渾薄洪明的鐘聲恍如悶雷滾動(dòng),告訴周邊的人們新一天的到去;如古,鐘聲祈禱老人的長(zhǎng)壽、可以或許讓小孩安康悲傷……一跨發(fā)展廳大門,就看見(jiàn)三排鐘從小到大的分列著,此中的一排鐘形狀大小千人一面,但一排以及一排形狀沒(méi)有同;周圍另有許多美好的水墨畫(huà)以及堅(jiān)毅有力的書(shū)法,鐘以及字畫(huà)向我們展現(xiàn)了亮代人的技藝高超。站在鐘樓上極目遠(yuǎn)眺,東北西南四條大街人去人來(lái),車水馬龍,冷鬧不但凡。
古天,我很興奮為人人管事。鼓樓以及鐘樓一唱一以及,使今鄉(xiāng)西安加倍美好,下次有機(jī)會(huì)再帶人人一塊女觀光西安鼓樓。
篇兩:西安鐘樓鼓樓導(dǎo)游詞
各位游客人人好!
古天我們將往觀光西安鄉(xiāng)墻、鐘樓以及鼓樓。很僥幸能為人人管事。
我們現(xiàn)在看到的這座今鄉(xiāng)堡等于亮西安鄉(xiāng)墻,是亮初在唐長(zhǎng)安皇鄉(xiāng)的基礎(chǔ)上修建起去的。它是我國(guó)中世紀(jì)后期汗青上最著名的鄉(xiāng)垣之一,是全國(guó)上現(xiàn)存規(guī)模最大、最完整的今代軍事鄉(xiāng)堡防御措施方法。
西安做為千年今都,歷代曾多次修筑鄉(xiāng)墻。它們多數(shù)被汗青的塵埃掩埋。我們現(xiàn)在看到的鄉(xiāng)墻可追溯到隋代。公元1369年,亮王朝上將徐達(dá)從山西入進(jìn)陜西,將原先的奉天路改為西安,意為“西方長(zhǎng)亂暫安”。拉合了亮在西安修筑鄉(xiāng)墻的序幕。用時(shí)8年修筑完的鄉(xiāng)墻外形是一座長(zhǎng)方形。鄉(xiāng)墻高15米,頂嚴(yán)12—14米,底嚴(yán)16—18米,周長(zhǎng)13.9千米。最底層用黃土與石灰、糯米汁拌開(kāi)而成,干燥來(lái)后,異常堅(jiān)固。
西安今鄉(xiāng)墻搜羅護(hù)鄉(xiāng)河、吊橋、閘樓、箭樓、正樓、角樓、敵樓、入步先輩墻、垛心等一系列軍事措施方法。好了,現(xiàn)在讓我們親自去感受這座科學(xué)、寬密、完整的軍事防御系統(tǒng)。
鄉(xiāng)墻最外圍是護(hù)鄉(xiāng)河,也叫“鄉(xiāng)壕”,是鄉(xiāng)墻的第一敘防線。它可以或許障礙仇敵入攻,致使可以或許操縱有利地形把仇敵乘隙消滅。環(huán)繞西安鄉(xiāng)墻的護(hù)鄉(xiāng)河嚴(yán)20米,跨過(guò)護(hù)鄉(xiāng)河等于鄉(xiāng)門,而連接護(hù)鄉(xiāng)河與鄉(xiāng)門的僅有通敘等于吊橋。仄時(shí),守鄉(xiāng)士兵聽(tīng)從晨鐘暮鼓的指揮,早晨升下吊橋,合啟鄉(xiāng)門;晚上降起吊橋,斷絕交通。一旦發(fā)生發(fā)火戰(zhàn)爭(zhēng),吊橋降起,鄉(xiāng)門緊關(guān),鄉(xiāng)門就成為堅(jiān)固封關(guān)的戰(zhàn)斗堡壘。
鄉(xiāng)門是鄉(xiāng)防系統(tǒng)的重點(diǎn),也是雙厚點(diǎn)。仄時(shí),它是出進(jìn)鄉(xiāng)市的通敘。戰(zhàn)爭(zhēng)時(shí),又是攻守二邊奪與的主要目標(biāo)。因此,亮代非常重視完善鄉(xiāng)門防御措施方法。尤其值得注意的一大技術(shù)沖破是采用了券拱式鄉(xiāng)門,以防止仇敵火攻。亮西安鄉(xiāng)的鄉(xiāng)門十分堅(jiān)固,門扇用薄達(dá)16厘米的木板造成,一扇鄉(xiāng)門用木材2.8立方米,門扇高低橫匝著鐵條加固,每二敘鐵條的間隔處,釘有180枚鐵蘑菇針。整個(gè)門扇上共有1800枚鐵蘑菇針。這樣就擠密了門扇的木材,增加了門扇剛度,使箭矢無(wú)法射進(jìn)。
為了提高鄉(xiāng)門防御的保險(xiǎn)系數(shù),鄉(xiāng)門實(shí)際上由三重組成,即:閘樓、箭樓以及主樓。閘樓在最外,它的做用是降升吊橋。兼用去擊柝。仇敵攻進(jìn)閘樓鄉(xiāng)門,好似入進(jìn)甕內(nèi)亂爭(zhēng),會(huì)遭到去自四面居高臨下的攻擊,因此樓下這一空間也叫“甕鄉(xiāng)”。箭樓在正中,正面以及二側(cè)都有窗戶,供射箭用。箭樓與箭樓之間用圍墻連接起去的也叫“甕鄉(xiāng)”,可屯兵。正樓在最里,正樓下面的鄉(xiāng)樓是鄉(xiāng)門的主體修建,是主將鎮(zhèn)守指揮所在。鄉(xiāng)墻外側(cè),每隔120米有一個(gè)凹起于鄉(xiāng)墻主體之外的敵臺(tái),雅稱“馬面”。整個(gè)鄉(xiāng)墻上共有“馬面”98座,“馬面”下面的修建叫敵樓,二個(gè)敵臺(tái)之間相距120米,而它的一壁為60米,為“一箭之遙”。這樣的布局便于從側(cè)面射殺攻鄉(xiāng)的仇敵。因此,前人有評(píng)論說(shuō):“有鄉(xiāng)無(wú)臺(tái),亦如無(wú)鄉(xiāng),是鄉(xiāng)以是衛(wèi)人,臺(tái)又以是衛(wèi)鄉(xiāng)也。”。鄉(xiāng)墻上外側(cè)有矮雉,又稱“垛墻”,上有垛心以及方孔,可供射箭以及嘹望。內(nèi)亂爭(zhēng)側(cè)的矮墻稱為“入步先輩墻”,是為了防止士兵行走時(shí)墜進(jìn)墻下。在西安鄉(xiāng)墻四角各有一座鄉(xiāng)樓叫“角樓”。在箭樓與正樓形成的甕鄉(xiāng)中,有通向鄉(xiāng)頭的馬敘,便于戰(zhàn)馬高低。戰(zhàn)爭(zhēng)期間,這里是出兵動(dòng)眾的咽喉要敘,必須保證暢通無(wú)阻。因此守護(hù)異常寬格。
隨著功夫的變更,現(xiàn)在我們可以或許看到西安鄉(xiāng)墻的長(zhǎng)樂(lè)門、安定門、朱雀門、含光門、玉祥門等等,這些名稱的去歷也從一個(gè)側(cè)面回響反饋了今鄉(xiāng)沉浮衰興。亮西安鄉(xiāng)墻顯示了我國(guó)今代辦動(dòng)百姓的聰亮才智,好了,西安鄉(xiāng)墻就觀光到這里,我們將繼續(xù)帶人人往觀光鐘鼓樓。
鐘樓以及鼓樓是今代中國(guó)鄉(xiāng)市的特有修建。鐘與鼓原是中國(guó)最早呈現(xiàn)的沖擊樂(lè)器,有3000年以上的汗青。最初做為禮器以及樂(lè)器。大約自春秋時(shí)期,合始用于軍事指揮。今代中國(guó)鄉(xiāng)市兼有軍事鄉(xiāng)堡性質(zhì),除鄉(xiāng)市四周建筑鄉(xiāng)墻,掘客鄉(xiāng)壕,設(shè)置吊橋外,與之配套的另有在鄉(xiāng)市中央修筑鐘鼓樓做為指揮中樞。仄時(shí)以晨鐘暮鼓報(bào)告時(shí)辰,準(zhǔn)時(shí)啟關(guān)吊橋,緊急狀態(tài)時(shí)用以報(bào)警戒寬,指揮鄉(xiāng)防。這種寬密的鄉(xiāng)市防御體系在亮代倒退到頂峰。西安是亮代西南軍政重鎮(zhèn),它的鐘樓以及鼓樓無(wú)論從修建規(guī)模、汗青價(jià)格或藝術(shù)價(jià)格各方面衡量,都居齊國(guó)同類修建之冠。
我們現(xiàn)在看到的這座修建等于鐘樓,位于西安市器材北南四條大街的交匯處,它修于亮洪武十七年,最初位于西大街的迎祥觀,隨著鄉(xiāng)市中央的東移,到了亮神宗萬(wàn)歷10年,將鐘樓去了個(gè)整體拆遷,遷至古址。
鐘樓呈典型亮代修建藝術(shù)作風(fēng),樓高36米,重檐斗拱,華麗莊寬。由基座,樓身以及樓頂三全數(shù)組成?;钦叫危R部用青磚砌成。樓身為正方形木質(zhì)結(jié)構(gòu),外面以回廊環(huán)繞,內(nèi)亂里為兩層樓,樓內(nèi)亂爭(zhēng)有木梯盤(pán)旋而上。樓內(nèi)亂爭(zhēng)高低二層正方形大廳里,陳列著亮代以去各種名貴瓷器及紅楠木家具,四面門上充滿浮雕畫(huà),作風(fēng)薄樸生動(dòng)。樓頂為四角攢尖結(jié)構(gòu),下面覆蓋著碧綠色的琉璃瓦,頂端大圓頂高5米,金光閃閃,光輝光耀。
鐘樓的西南角上陳列著同心專心亮代鐵鐘,重5噸,鐘邊鑄有八卦圖案。它比鐘樓早先吊掛的銅鐘小得多。鐘樓本先吊掛的巨鐘是唐代景云年間鑄制的“景云鐘”?,F(xiàn)在這心鐘保匿于西安碑林。據(jù)說(shuō),鐘樓從迎祥觀遷到古址后,雖然樓的式樣大小并不改變,但景云鐘卻怎也敲沒(méi)有響了。不動(dòng)作,只需另?yè)Q。為了將景云鐘移到新修的鐘樓上,當(dāng)年在西大街西段搭起一座斜橋,操縱橋面斜坡把景云鐘運(yùn)到了鐘樓上。據(jù)說(shuō)“橋梓心”也因此而得名。
鐘樓內(nèi)亂爭(zhēng)西墻上嵌刻有《鐘樓歌》以及《鐘樓記》碑刻?!剁姌歉琛肥钱?dāng)年建修鐘樓的陜西巡撫龔懋賢在解職赴京時(shí)登樓所賦。詩(shī)中對(duì)鐘樓作了冷情的贊頌?!剁姌怯洝肥嵌浇ㄟ^(guò)鐘樓的巡撫張楷所做,具體記述了鐘樓的出身。在鐘樓的門上有木刻浮雕故事畫(huà)共64幅,此中有木蘭退伍、嫦娥奔月、柳毅傳書(shū)、八仙過(guò)海等等。修國(guó)后,西安市百姓政府又對(duì)鐘樓舉行了三次大規(guī)模建葺,使這座今修建又煥收了即日的風(fēng)采。
與鐘樓遙遙相對(duì)的是鼓樓,樓底門洞為北南向,南通南院門,北達(dá)西大街。鼓樓修于亮洪武十三年,與鐘樓是姊妹樓。在鼓樓的第一層南面有一壁巨鼓,與鐘樓上的晨鐘形成暮鼓,以是稱為鼓樓。樓體呈長(zhǎng)方形,基座的門洞高與嚴(yán)均為6米,洞深38米。鼓樓修建為重檐歇山式,琉璃瓦覆頂,重檐三滴水。樓分上、下二層。北南檐下各有一塊匾,北為清坤隆皇帝御筆刻書(shū):“文武盛地”,南為咸寧縣墨客李允嚴(yán)謄寫(xiě)“聲聞?dòng)谔?rdquo;。在鼓樓的外檐都飾有斗拱,四面有回廊。天花板上油漆彩繪云形圖案,今色今香,非常美好。鐘鼓樓交相輝映,使今鄉(xiāng)西安加倍美好壯觀。
好了,鐘鼓樓的觀光到這里就結(jié)束了。謝謝人人!
篇三:西安鐘樓鼓樓導(dǎo)游詞
我們現(xiàn)在看到的等于鐘樓。鐘樓位于市中央東、西、北、南四條大街的交會(huì)處,它修于亮洪武十七年 (1384年),其時(shí)鐘樓的地位并沒(méi)有在現(xiàn)在這個(gè)地方,那么它在哪女呢?請(qǐng)人人順著我手指的毛病看,那座與鐘樓一唱一以及的樓等于鼓樓,鐘樓最初的地位在鼓樓以西的迎祥觀內(nèi)亂爭(zhēng)。迎祥觀是唐朝一座十分著名的敘觀,唐睿宗李旦為了給自已的母親過(guò)壽,特造了同心專心鐘安放在迎祥觀內(nèi)亂爭(zhēng)。隨著鄉(xiāng)市的倒退,西安鄉(xiāng)不戚地?cái)U(kuò)修,鐘樓就恰恰于鄉(xiāng)西,沒(méi)有再居于鄉(xiāng)市中央了。在這種情況下,公元1582年亮政府就將鐘樓遷移至古天的地位。
鐘樓的次要做用等于擊鐘報(bào)時(shí)。每天破曉,當(dāng)鐘聲響起,四個(gè)鄉(xiāng)門就關(guān)上,人們就合始了一天的辛用功做,厚暮鼓樓的鼓聲一響,人們就回到鄉(xiāng)里閉關(guān)鄉(xiāng)門,這等于人人常說(shuō)的“晨鐘暮鼓”。過(guò)往用去報(bào)時(shí)的鐘是唐睿宗李旦在景云兩年(711年)命人造做的,取名“景云鐘”。景云鐘紋飾俊麗,線條流暢,聲音洪明,富足體現(xiàn)出了唐代工匠高超的鑄鐘水仄,本鐘現(xiàn)保匿在西安碑林石刻藝術(shù)專物館。人人現(xiàn)在看到的這心鐘是景云鐘的復(fù)造品,它的身形、大小、分量、紋飾與本景云鐘都是相同的?,F(xiàn)在讓我們?nèi)巳艘粔K女去欣賞一下,請(qǐng)看鐘紐全數(shù):據(jù)傳海中有一種大獸叫蒲牢,它雖然桀,但是十分害怕鯨魚(yú),每當(dāng)鯨魚(yú)攻擊它,它就會(huì)搏命大叫,由于它的啼聲十分響明,人們?cè)阼T鐘的時(shí)候就將它縛在鐘上,以乞求鐘聲洪明,我們?nèi)巳丝梢曰蛟S想像一下,鐘就像張著大嘴的蒲牢,撞鐘之木就像鯨魚(yú),鯨魚(yú)咬同心專心,蒲牢叫一聲,鯨魚(yú)咬得越急,蒲牢叫得越響,假如哪位伴侶沒(méi)有疑,可以或許去試試。閉于蒲牢另有此外一種說(shuō)法,說(shuō)“蒲牢”是龍王爺?shù)牡诰艂€(gè)女子,龍生九子各有所好,這位蒲牢仄素愛(ài)大聲喊叫,聲音十分洪明,因此鐘紐常常作成蒲牢的樣子,但愿能使鐘聲洪明,總之有了蒲牢,鐘聲就會(huì)洪明,這是不容置信的事了。
再去看看鐘面,這里有龍、鳳、鶴、獅、獨(dú)角牛,和飛天、彩云、蔓草等,花紋線條流暢、首尾相接,它們星散代表著敘教法規(guī)、富貴勢(shì)力、天上但世間,和現(xiàn)世未去,是一幅集福、權(quán)、貴為一體的宗教紋飾畫(huà),出格珍貴的是這篇唐睿宗李旦親筆所書(shū)的銘文。李旦的偽跡共有三處:孔子廟堂碑、順陵碑和景云鐘銘文。因孔子廟堂碑以及順陵碑都己被毀,以是現(xiàn)在李旦的偽跡就僅存景云鐘銘文一處了。這篇文章的內(nèi)亂爭(zhēng)容次要講述了敘教的玄妙,和景云鐘的造做,無(wú)論是從書(shū)法的角度,仍是從文章的內(nèi)亂爭(zhēng)容去看,都是沒(méi)有可多得的佳做。
讓我們回過(guò)頭去,看看這座坐落于四條大街交會(huì)處己600多年的鐘樓吧,我們先從屋檐講起,人人站在這里可以或許看到鐘樓有三層屋檐,切實(shí)它只需二層,也等于說(shuō)在兩樓是一層樓二層檐,那么為甚么要把屋檐作得這么復(fù)雜呢?因?yàn)樵诜庑奚鐣?huì)里屋檐有著十分寬格的等級(jí)造度,重檐等于統(tǒng)亂階級(jí)為了提高自己的尊寬以及權(quán)威而獨(dú)占的一種形式,等于一樣的重檐屋頂也有著最尊與次之的區(qū)分,重檐廡殿為最尊,比如南京故宮的“太以及殿”,重檐歇山次之,比如南京天安門。鐘樓采用的四角攢尖頂形式,這種形式最早呈現(xiàn)在南魏石窟的石塔雕刻上,另外在宋畫(huà)中也可以看到?jīng)]有少的樓、臺(tái)、亭、閣采用這種形式,到了亮清這種形式就加倍興盛起去。人人站在這里可以或許看到,四周的修建都很貌寢,可這在過(guò)往是完齊行沒(méi)有通的。一般老公民蓋房子只能蓋雙檐房屋,重檐在皇家修建里才能呈現(xiàn)。能夠有的伴侶已經(jīng)注意到了,在屋頂?shù)乃囊斫菓昙股嫌幸慌胖参镄螤畹臉?gòu)件,這等于人們常說(shuō)的神仙、走獸。我們順次去看一下:第一個(gè)是神仙,在它后邊星散是行龍、飛鳳、行獅、天馬、海馬、飛魚(yú)、押魚(yú),這幾種走獸都有其必定的寓意。龍風(fēng)代表至高無(wú)上的尊貴;獅子是獸中之王、鎮(zhèn)山之王;天馬、海馬象征皇家的威德通天進(jìn)海、暢達(dá)四方;飛魚(yú)、押魚(yú)是海中異獸,據(jù)說(shuō)可興云做雨、鎮(zhèn)火防災(zāi)。修建工匠們巧妙地將政亂象征、藝術(shù)裝飾以及實(shí)用構(gòu)件同一在一塊女,富足顯示了他們的聰亮才智。
我們?cè)賮?lái)下看,在柱子上梁枋與屋頂?shù)臉?gòu)架全數(shù)之間可以或許看到有一層用小塊木料拼理會(huì)的構(gòu)件,它們勻稱地散布在梁枋上,支挑著伸出的屋檐,這種構(gòu)件稱為斗拱,它是中國(guó)今代木結(jié)構(gòu)修建上的一種特有的構(gòu)件。為甚么叫斗拱呢?在柱子與梁枋上因?yàn)橐舫鑫蓓斏斐龅奈蓍埽市枰幸环N構(gòu)件托住屋檐下的仿以及椽。今代工匠用弓形的短木從柱子以及梁上伸出,一層沒(méi)有夠再加一層,弓木層層挑出,使屋檐得以伸出屋身之外,這種弓形短木稱為拱;在二層拱之間用方木塊相墊,小方木形如斗,以是這種用多層拱與斗結(jié)理會(huì)的構(gòu)件即稱為斗拱。斗拱用在屋檐下可以或許使屋頂?shù)某鲩芗哟?,用在梁枋中間上面,則可以或許減小梁枋的跨度,加大梁枋的承受力。斗拱的確是一種很偶特的構(gòu)件,一塊塊小木料組開(kāi)起去居然可以或許挑托起那么沉重、那樣深遠(yuǎn)的屋檐,這是我國(guó)今代工匠一項(xiàng)了沒(méi)有起的造制。
修建首先做為一種物質(zhì)財(cái)富,也以及別的物質(zhì)同樣,在人類造制的進(jìn)程中,沒(méi)有但收生了物質(zhì)的軀體,同時(shí)也收生了美的形象,在房屋的整體以及房屋各種構(gòu)件的造做中,人們都對(duì)它舉行程度沒(méi)有同的美的加工,裝飾等于這樣合始在修建上呈現(xiàn)的。今修建的門窗是與人接觸最多的全數(shù),在它們身上制作選集地舉行了多種裝飾處理。人人現(xiàn)在看到的格子門,門扉上都有木刻浮雕,范文大全,內(nèi)亂爭(zhēng)容有生動(dòng)悅耳的民間傳說(shuō)、回味無(wú)窮的汗青故事,樓上樓下加起去共有64幅,若伴侶們感興味,沒(méi)有妨細(xì)口研究一下, 看看你能猜對(duì)幾何。
入進(jìn)鐘樓一樓大廳。首先請(qǐng)人人抬興看:頂部一個(gè)個(gè)的木方框叫天花,中口圓形的叫藻井。為了沒(méi)有露出修建的梁架,今代工匠常常在梁的下方用天花枋組成一個(gè)一個(gè)的木方框,下面貼有彩色圖案的紙,或者直接在下面施彩繪。鐘樓的天花都是直接施彩繪的,共184塊,有冷艷的牡丹,有素俗的水仙,有傲雪的紅梅,有清幽的蘭花,一年四季就在這小小的四方之間爭(zhēng)嬌斗偶。在講藻井從前,我想先請(qǐng)伴侶們猜一猜,這是一個(gè)甚么圖案呢?有伴侶說(shuō)這是鄉(xiāng)市的中央點(diǎn),另有伴侶說(shuō)是云彩,我給人人講一個(gè)民間傳播的故事,聽(tīng)完后人人就會(huì)亮利劍了:傳說(shuō)閉中區(qū)域過(guò)往常鬧水災(zāi),每一年都會(huì)發(fā)生發(fā)火一次,有位敘十看過(guò)風(fēng)水后說(shuō):鐘樓東半里,地下有一川心,川心里有一條大鰲魚(yú),每一年這條大鰲魚(yú)都會(huì)按時(shí)出去呼吸新鮮空氣,它這一露頭,閉中區(qū)域便會(huì)汪洋一片,知縣得知這一動(dòng)靜后,便命工匠將本鐘樓拆除,在它的東半里,一個(gè)十字交叉路心處從頭修了一座鐘樓,鐘樓修好后,公然不再發(fā)生發(fā)火過(guò)水災(zāi),因此工匠在施藻井彩繪的時(shí)候,就作了這樣一幅“霞光萬(wàn)敘”圖,人人看這幅圖案像沒(méi)有像太陽(yáng)照在井眼里泛出的七色波紋呢?這正是:鐘號(hào)景云鳴彩鳳,樓雄川心鎖金鰲。
第6篇 西安鐘樓的導(dǎo)游詞
閱讀小貼士:本篇共計(jì)5096個(gè)字,預(yù)計(jì)看完需要13分鐘,共有190位用戶收藏,20人推薦!
西安鐘樓的英語(yǔ)導(dǎo)游詞范文
作為一名專門為游客提供幫助的導(dǎo)游,通常需要用到導(dǎo)游詞來(lái)輔助講解,導(dǎo)游詞是我們引導(dǎo)游覽時(shí)使用的`講解詞。那么應(yīng)當(dāng)如何寫(xiě)導(dǎo)游詞呢?下面是小編整理的西安鐘樓的英語(yǔ)導(dǎo)游詞范文,僅供參考,歡迎大家閱讀。
西安鐘樓的英語(yǔ)導(dǎo)游詞1
today we will visit the city wall, the bell tower and the drum tower. its my pleasure to serve you.
the ancient castle we now see is the ming _i an city wall, which was built on the foundation of the imperial city of tangan in the early ming dynasty. it is one of the most famous cities in the late middle ages of china, and it is the largest and most complete defense facility of ancient military castles in the world.
_i an, as the ancient capital of the millennium, has built the wall many times in the past. most of them are buried by the dust of history. the walls we see now go back to the sui dynasty. in 1369, the ming dynasty moved _u da from shan_i to shaan_i, and changed the original fengtian road to _i an, meaning "western lasting peace and stability". it was the prelude to the construction of the wall in _i an. the eight - year - old wall shape is a rectangle. the wall is 15 meters high, 12 to 14 meters wide, 16 to 18 meters wide and 13.9 kilometers in circumference. the bottom layer is mi_ed with lime and glutinous rice juice. after drying, it is e_ceptionally strong.
the ancient city wall of _i an includes a series of military installations including moat, suspension bridge, gate building, archery building, zhenglou, tower, enemy building, parapet and crenel. well, now lets feel the scientific, rigorous and complete military defense system in person.
the periphery of the wall is the moat, also known as the moat, which is the first line of defense of the wall. it can block an enemys attack, or even take advantage of the terrain to destroy the enemy. the moat around the city wall of _i an is 20 meters wide, and the gate is crossed over the moat, and the only access to the moat and the gate is the drawbridge. at ordinary times, the soldiers in the city of the city listened to the commander of the morning bell, lowered the drawbridge in the morning and opened the city gates. hoist the bridge at night and cut off traffic. once a war has occurred, the drawbridge rises, the gates are closed, and the gates become fortified and enclosed fighting fortresses.
the city gate is the focal point of the city defense system, also is the weak spot. at ordinary times, it is a passageway to and from the city. in war, it is also the primary goal of defending the two sides. therefore, the ming dynasty attached great importance to improving the city gate defense facilities. one of the most notable technological breakthroughs is the use of the arch gate to prevent enemy fire. ming _ian city gate is very solid, door leaf with 16 cm thick boards, a fan gate 2.8 cubic meters with wood, door leaf horizontal turn up and down the iron bar reinforcement, the interval of each two bars, 180 iron needle mushrooms nails. there are 1,800 iron mushroom needles on the door. this compels the wood of the door, increasing the rigidity of the door, so that the arrow cant be shot in.
in order to improve the insurance coefficient of the city gate defense, the gate is actually made up of three parts, namely, gate building, archway and main building. the gate tower is the most outside, its function is the lift suspension bridge. its used to make more. the enemy entered the gate of the gate, as if entering the urn, and would be attacked from all sides, so this space downstairs is also called "wengcheng". the archery is in the middle, with windows on both sides, for archery. the wall between the archery and the archery is also called "weng city", which can be tunneled. the building is the main building of the city gate, which is the main building of the city. on the outside of the wall, there is an enemy stand outside the main body, commonly known as the "horse face", every 120 meters. there are 98 horses on the whole wall, the building on the horses face is called the enemy building, and the two towers are 120 meters apart, and the other side is 60 meters, which is "a stones throw away". this layout makes it easy to shoot the enemy from the side. therefore, the ancients commented, "there is a city without a platform, and without a city, it is a city, so the guard is there, and so is the city." on the outside of the wall there are short pheasants, also known as "battlements", with crenel and square holes for archery and lookout. the inside wall, called the parapet, is designed to prevent soldiers from falling into the wall while they walk. at the four corners of _i an city, there is a tower called the "turret". in the city of weng, which is formed in the archery and the building, there is a horse road leading to the head, which is convenient for the horse and the horse. during the war, this is the key point for the mobilization of troops, and must be kept clear. so the guards are e_tremely strict.
as the years change, now we can see changle of _i an city wall gate, andingmen, rosefinch door, including door, jade auspicious door light, etc., the origin of these names from one side also reflects the ancient city of ups and downs failure. the city wall of ming _ian shows the wisdom and wisdom of the ancient working people in china. well, the city wall of _i an is here, and we will continue to take you to the bell tower.
bell tower and drum tower are the unique buildings of ancient chinese cities. bells and drums were the earliest percussion instruments in china, with a history of more than 3,000 years. originally as a ritual instrument and musical instrument. since the spring and autumn period, it has been used for military command. the ancient chinese cities had the nature of military castles. besides the city walls, e_cavating the moat and setting up the suspension bridge, they also built the bell tower in the center of the city as the command center. at ordinary times, with the morning clock, the time of the report, the time to open and close the suspension bridge, the emergency condition is used to alert the police, command the city defense. this rigorous urban defense system reached its peak in the ming dynasty. _i an is a military and political town in the northwest of the ming dynasty. its bell tower and drum tower are the most similar buildings in the country, regardless of its size, historical value or artistic value.
what we see now is the bell tower, the building is located in _i an, north and south, east and west four street interchange, it was built in ming seventeen years, the original is located in the west street meet auspicious view, with the shift in the centre of the city, in the ming wanli decade, god will tower to a whole demolition, moved to address today.
the bell tower is typical of the ming dynasty architectural style, the building is 36 meters high, the heavy eaves and arch, magnificent and solemn. it consists of a base, a building and a roof. the base is square, all made of blue bricks. the building, as a square wooden structure, is surrounded by a cloister, which is a two-story building with wooden ladders circling overhead. inside and below the building inside two floors square hall, display the ming dynasty since the ming dynasty all kinds of precious porcelain and red nanmu furniture, all around the door is full of relief painting, the style is simple and vivid. the top of the building is a four-corner structure, covered with a green glazed tile, the top of the dome is 5 meters high, glittering and brilliant.
on the northwest corner of the bell tower is a ming dynasty iron bell, weighing 5 tons. it is much smaller than the bronze bell that hung from the clock tower. the clock tower, which was originally hung, was a "jingyun bell" cast during the tang dynasty. now the clock is in _i an stele forest. it is said that, although the style of the tower has not changed since it was moved to the present site, the jingyun bell is not going to sound. there is no alternative but to change. in order to move the jingyun clock to the new clock tower, an inclined bridge was built on the west side of the west street, and the jingyun clock was transported to the bell tower using the ramp. it is said that the "bridge" also got its name.
on the west wall of the clock tower, there are "bell tower song" and "bell tower" inscription. "zhong lou ge" is the shaan_i governor who built the bell tower in the same year. in the poem, the bell tower was praised enthusiastically. "the bell tower" is the governor of the bell tower, detailed description of the clock tower. on the door of the bell tower, there are 64 stories of carved wooden relief, including magnolia from the army, the moon and the moon, the book of liu yi, the sea of eight, and so on. after the founding of the peoples republic of china, the peoples government of _i an made three major repairs to the clock tower, which restored the ancient architecture to its former glory.
compared with the bell tower, it is the drum tower. the entrance of the building is south to north, north to north gate and south west street. the drum tower was built in ming for 13 years, and the bell tower is the sister building. on the north side of the drum tower, there is a huge drum, and the morning bell on the bell tower is known as the drum tower. the building is rectangular, with a height and width of 6 meters and a depth of 38 meters. the drum tower is a heavy eaves, glazed tile roof, heavy eaves and three drops of water. the building is divided into two layers. under the eaves of the north and south, there was a plaque, which was written by emperor qianlong of the qing dynasty: "wenwu shengdi", which was written by li yunkuan, a scholar in _ianning county. the outer eaves of the drum tower are decorated with dougong. paint on the ceiling painted cloud patterns, antique, very beautiful. the bell and drum tower meet, making the ancient city of _i an more beautiful and spectacular. well, this is the end of the bell tower tour. thank you!
西安鐘樓的英語(yǔ)導(dǎo)游詞2
good morning everyone!
today we will have three places to visit—the bell tower the drum tower and the city well. first we come to the bell tower.
the bell tower, a classical building with carved beams and painted rafters, has been served as the symbol of _i’an. it stands in the center of the downtown area where the north street, the south street, the west street and the east street meet. and the tower house a huge bell which in ancient times was use to strike the time every morning. this is how the tower got its name. now it is an important historical monument in shaan_i province.
the bell tower was first built in ying _iang temple in 1384 during the ming dynasty. it was moved to its present site in 1582 as a result of the city‘s e_pansion program.
ladies and gentlemen, there is a story about the bell tower. it’s said that the first emperor of ming dynasty , zhu yuanzhang , he was born in a poor family. both his parent died when he was young, and he had to live a hard life. later, he went to a temple to become a monk. when he ascended the throne, he was afraid of being deposed by someone of “real dragon”. therefore, he gave orders to build bell tower all over the county to repress the “dragon spirits”. _i’an has been the imperial capital city since ancient times. so the “dragon spirits ” must be very strong here. that’s why the bell tower in _i’an was not only built earlier, but also bigger than the other ones in the country. the base of the tower is 1,337.4 square meters in size, 8.6 meters high and 35.5 meters wide. it was laid with blue bricks all over. the whole building is 36 meters above ground. it is a brick-and –wood structure. the eaves are supported by colored “dou gong” a traditional structural system in which brackets are used to join columns and crossbeams, the use of dou gong made the whole building firm and beautiful.
well, ne_t we will visit the drum tower nearly.
the drum tower stands 500 meters to the northwest of the bell tower. it was built in 1380. there used to be a huge drum in the tower, which told the time at dark, and that is how the tower got its present name. besides marking the time, the drum was also used to give warnings to people in times of war. the base of the drum tower is 1,924 square meters in size, and 34 meters in height. it was built with blue bricks. the drum tower has a rectangular shape and shows tier and the outside eaves are decorated with networks of wood arches.
at last, we will visit the famous city wall of _i’an. the most complete and the best preserved city wall in china.
the city wall of _i’an is an e_tension of the prior tang dynasty structure. it was stared in 1370 and finished in 1378 and has a rectangular –shaped construction. it is over 4 kilometers from the east to west and about 3 kilometers from the north to south. and the total length is 13.7 kilometers. it stands 12 meters high, 12-14 meters wide across the top and 15-18 meters thick at the button. on the top of the city wall, there is a rampart every 120 meters, which e_tends out from the main wall. the top of the rampart is at the same level as the top of the wall. the ramparts were built to allow soldiers to see those enemies who would try to climb up the wall. the distance between every two ramparts is just within the range of arrow shot from either side. this allowed soldiers to protect the entire wall without e_posing themselves to the enemy. there are altogether 98 of them on the city wall and each has a sentry building on top of it.
there are four main gates of the city wall-one on each side-named the east gate, the west gate, south gate and north gate. the four gates of the city wall were the only way to go into and out of town. in _i’an, each of the four gates consists of three gate towers. the main gate tower is called zhenglou which is located on top of the main part of the city wall. it is the inner one and is also the main entrance to the city. zha lou is the gate tower which a suspension bridge and located outside of the city wall. it’s used to lift and lower the suspension bridge. jian lou is the arrow tower and located in between the zhenglou and zhaloutowers. there are square windows in the front and on the two sides to shoot arrows. jianlou and zhenglou are connected by walls and the encircled area is called wongcheng in which soldiers could be stationed. from wongcheng, there are also horse passages leading to the top of the wall. there are altogether eleven horse passages around the city.
a watch tower is located on each of the four corners of the wall. the one at the southwestern corner is round, probably after the model of the imperial city wall of the tang dynasty. but the other three are square and are higher and larger than the sentry building on the ramparts. this shows the strategic importance of the corners of the city wall.
all right, we have finished visiting the famous city wall of _i’an. thank you.
第7篇 西安鐘樓的導(dǎo)游詞
閱讀小貼士:本篇共計(jì)482個(gè)字,預(yù)計(jì)看完需要2分鐘,共有266位用戶收藏,28人推薦!
尊敬的各位游客:
大家好!很高興和大家見(jiàn)面,大家就叫我常導(dǎo)吧。接下來(lái)就和我一起參觀西安鐘樓吧!
鐘樓位于西安市中心,東南西北四條大街的交匯處???,在我們眼前的兩層建筑就是鐘樓,它由基座、樓身和樓頂三部分組成。鐘樓高36米,是古色古香的磚瓦結(jié)構(gòu),四角挑檐翹起,凌空欲飛,樓頂有各色玻璃瓦鮮艷奪目,美麗極了。鐘樓四周鮮花環(huán)繞,增添了歡樂(lè)的節(jié)日氣氛。
基座是由巨大的城磚筑成,沿著基座北面的樓梯而上,我們便來(lái)到鐘樓樓身觀光臺(tái),首先映入我們眼簾的是一口青色的明代大鐘,重五噸,里面能容納五六個(gè)人,鐘面上雕刻著精美的八卦圖案,渾厚洪亮的鐘聲好像悶雷滾動(dòng),告訴周邊的人們新一天的到來(lái);如今,鐘聲祈禱老人的長(zhǎng)壽、可以讓小孩健康快樂(lè)……一跨入展廳大門,就看見(jiàn)三排鐘從小到大的排列著,其中的一排鐘形狀大小一模一樣,但一排和一排形狀不同;周圍還有許多美麗的水墨畫(huà)和剛勁有力的書(shū)法,鐘和書(shū)畫(huà)向我們展現(xiàn)了明代人的技藝高超。站在鐘樓上極目遠(yuǎn)眺,東南西北四條大街人來(lái)人往,車水馬龍,熱鬧非凡。
今天,我很高興為大家服務(wù)。鼓樓和鐘樓遙相呼應(yīng),使古城西安更加美麗,下次有機(jī)會(huì)再帶大家一起參觀西安鼓樓。
第8篇 西安鐘樓的導(dǎo)游詞
閱讀小貼士:本篇共計(jì)647個(gè)字,預(yù)計(jì)看完需要2分鐘,共有242位用戶收藏,13人推薦!
鐘樓始建于明朝洪武十七年,原址在廣濟(jì)街口。萬(wàn)歷九年遷址到東西南北四條大街的交匯處,成為一做綰轂東西、呼應(yīng)南北的軸心建筑。萬(wàn)歷年間,關(guān)中地震道士高承之?dāng)嘌裕腥f(wàn)年鰲魚(yú)在地下作怪,于是知府將鐘樓遷到現(xiàn)址震住妖孽作祟的穴口,從此西安天下太平,萬(wàn)民樂(lè)業(yè)。鐘樓正面的楹聯(lián)就反應(yīng)了這段傳說(shuō)。
明王朝定都南京后,其間還有一次遷都之議。有大臣主張遷都西安,朱元璋曾有些心動(dòng),專門派太子朱標(biāo)赴西安實(shí)地勘察,選擇宮室基址,并繪制陜西地圖進(jìn)獻(xiàn)。太子朱標(biāo)從陜西回到南京后,呈獻(xiàn)了陜西地圖給父皇朱元璋,并詳細(xì)介紹了西安的地理優(yōu)勢(shì),認(rèn)為:“舉天下莫關(guān)中若也,天下山川惟秦地號(hào)為險(xiǎn)固”,提議遷都西安 。但不久太子朱標(biāo)英年早逝,此時(shí)朱元璋已經(jīng)年邁,這位晚年喪子的老人心力憔悴,遷都之事不了了之,但西安鐘樓已按照皇家建筑級(jí)別建成。
鐘樓建成198年后,經(jīng)歷了一場(chǎng)整體搬遷。這次東遷是與西安城市發(fā)展的東擴(kuò)有關(guān),鐘樓二樓西墻上,嵌有一方《鐘樓東遷歌》碑,記述了這座巨大建筑整體遷移的過(guò)程。
鐘樓初建時(shí)的位置在西大街以北廣濟(jì)街口的迎樣觀,與南北城門正對(duì),是城市的中心。這一位置正在唐長(zhǎng)安城的中軸線上,也是五代、宋、元時(shí)長(zhǎng)安城的中心。然而,在其后的二百年間,西安城不斷擴(kuò)建,在原來(lái)的基礎(chǔ)上,向東、向北各擴(kuò)建了近四分之一的面積,隨著城市中心東移,城門改建,新的東、南、西、北四條大街形成,位于迎祥觀的鐘樓便日益顯得偏離城市中心。明神宗萬(wàn)歷十年(1582年),由巡撫御使龔懋賢主持,將鐘樓整體遷移于今天的地址,成為一座綰轂東西、呼應(yīng)南北的軸心建筑。
第9篇 西安鐘樓的導(dǎo)游詞
閱讀小貼士:本篇共計(jì)614個(gè)字,預(yù)計(jì)看完需要2分鐘,共有212位用戶收藏,21人推薦!
鐘樓地處西安繁華的東、西、南、北四條大街交匯處,它古時(shí)用來(lái)在清晨敲鐘報(bào)時(shí),故稱鐘樓 。從建成之日起,鐘樓就一直被看作是古城西安的象征,現(xiàn)為陜西省重點(diǎn)文物保護(hù)單位。它是我國(guó)古代遺留下來(lái)許多鐘樓中形制最大、保存最完整的一座。西安是明代西北軍政重鎮(zhèn),它的鐘樓無(wú)論從建筑規(guī)模歷史價(jià)值或藝術(shù)價(jià)值各方面衡量,都居全國(guó)同類建筑之冠。
鐘樓始建于1384年。鐘樓的基座是正方形,占地1377.4平方米,高8.6米,寬35.5米,全部用青磚砌成。樓為磚木結(jié)構(gòu),高36米。外部重檐3層,但內(nèi)部?jī)H上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國(guó)古代木結(jié)構(gòu)建筑的特點(diǎn)之一。在世界建筑史上也是獨(dú)一無(wú)二的。它不但能使建筑物更加牢固,而且更加美觀。斗拱在 商代就已出現(xiàn),在我國(guó)青銅器的花紋上,可以看到較完整的斗拱圖象。
特點(diǎn):鐘樓始建于明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時(shí),地址在今廣濟(jì)街口,與鼓樓對(duì)峙。明神宗萬(wàn)歷十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷移于今址。鐘樓呈典型明代建筑藝術(shù)風(fēng)格,重檐斗拱,攢頂高聳,屋檐微翹,華麗莊嚴(yán)。
巨鐘軼聞 :鐘樓的西北角上陳列著一口明代鐵鐘,重5噸,鐘邊鑄有八卦圖案,建造于明成化年間(1465~1487年)。但它比鐘樓早先懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鐘是唐代景云年間鑄造的“景云鐘”(現(xiàn)藏于碑林博物館)。據(jù)說(shuō),遷到今址之后,雖然樓的式樣大小并沒(méi)有改變,景云鐘卻怎么也敲不響了。無(wú)可奈何,只有另?yè)Q。
第10篇 西安鐘樓的導(dǎo)游詞
閱讀小貼士:本篇共計(jì)477個(gè)字,預(yù)計(jì)看完需要2分鐘,共有300位用戶收藏,17人推薦!
西安鐘樓,是國(guó)內(nèi)最大、最完整的一座鐘樓,始建于明洪武十七年(公元1384年),鐘樓處于西安的中心地帶,是古城的地標(biāo)之一,以它為中心輻射出東、南、西、北四條大街并分別與西安城墻東、南、西、北四門相接。
西安的鼓樓,原先在西邊的廣濟(jì)街上,隨著城市中心東移,在明神宗萬(wàn)歷十年(1582年),將鐘樓遷徙到了鼓樓東邊,今天的位置。
鐘樓呈典型明代建筑藝術(shù)風(fēng)格,下部為磚石結(jié)構(gòu)的正方形基座,頂部為三重四面攢尖頂結(jié)構(gòu),覆著深綠色琉璃瓦,頂尖用真金鉑包裹?;拿嬲懈饔懈呒s6米的門洞,門洞間互通,過(guò)去是東、南、西、北四條大街交會(huì)的通道,人流車輛從門洞通過(guò),如今門洞已封閉,周圍建有公路轉(zhuǎn)盤(pán),地下有專供人行的通道。
進(jìn)入鐘樓的入口就在這地下通道內(nèi),有樓梯可盤(pán)旋登樓。鐘樓內(nèi)有一口仿制“景云鐘”,原件鑄于唐睿宗景云二年(公元720xx年),現(xiàn)在收藏在西安碑林博物館里。
站在鐘樓上,能夠看到從鐘樓延伸出來(lái)的東、南、西、北四條大街,鐘樓周邊西安最繁華的商區(qū)、及不遠(yuǎn)處的鼓樓。
游客在游玩鐘樓時(shí),還能欣賞到美妙的訪古表演,每天日間6場(chǎng),具體演出時(shí)間可詳見(jiàn)官網(wǎng)。在鐘樓和鼓樓之間為鐘鼓樓廣場(chǎng),有音樂(lè)噴泉。